I don't really like productions in which the audience is told what to think and what to feel. It's very difficult not to be tempted to direct their feelings - but all you've got to do is direct their attention - to say "look at this". I think that's what audience participation is. They are the editors, they are the judges. It's not like a movie where everything is decided. The audience can look where they want. That is why it's important that wherever they look, there should be extremely detailed life.
All I have to do as an actor is believe in what I'm saying at the moment I say it. I have to make decisions. Am I pretending? Am I lying? Do I really believe it? Do I feel it? How important is it that I get the other person to understand what I'm saying? Are they likely to? All those things. It's not up to me whether the character would have been better off if he had or hadn't said that. It's not up to me to say: is he foolish to say that? He just does say it.
Sir Ian McKellen, British Actor, born 1939
Dressed To Kill
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*F i l m S k o o l*
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Upon its release in 1980, Brian De Palma's *Dressed to Kill* was as
acclaimed for its stylish set...
1 hour ago
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